"This excellent exercise to work and share it, and especially when that work is committed collectively is what drives everything."
"I can start from very different places, from the title or a specific scene, the feeling that I want to make, a predominant color, sometimes is an issue that bothers me. I repeatedly lonely characters with group identity, stoic or decimated, dancing, or numb, in all cases I intend to talk about the human. "
"Far from being a pleasant time and spiritual connection, creating stresses me a bit, he stressed, I fall allergy snot, I have a constant concern for how it will work and how they interpret, say that I am of the mind "that say" if you consider that I am the father of my works would be a father leaves not feel love for a box in any case is the love that sustains people to continue creating over and over again, as a worker in any branch of the workforce. It's that wonderful moment where I believe that closes the circle of communication, which is when another look, question and think of a painting or sculpture. This exquisite exercise to work and share it, and especially when that work is committed collectively is what drives everything. Ago explained this by comparing a little box with a mirror. If two people stood in front of him, we can see each other, the work reflects us perhaps better still, looking more deeply so that we know, reflects identity, ideas, intentions etc. The result is so rich in terms of communication that leads me anxious to go through the tedious and stressful time mucus is painting again. "
"In my house there was a single picture book, but a lot of encouragement to paint and draw. I was resting in this appeal plastic, which transformed the shyness in a language that allowed me to speak my mind. Without ratings, I used the painting, mural or sculpture as a means, a path that leads me to the sole intention of saying something. I never thought in my education, never participated in any shop, just worked a lot to say my ideas from art, artists' books looking very different. I knew from a young boy that art would be my sword, then I learned that big was also my job. " "My training was well as a kids game, which evolved into a trade. When my father died I was 6 years old and my mother had no one to leave me, me Merlo led to hospital where he worked as a nurse, then I spent hours drawing behind a desk, pretending to be a great artist, doctors and nurses made me orders and I was lying, as designers do today, "I did but I I forgot, give me two days "so I went forming".
By Romi Amodei
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