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FOUNDATION THE AIRPORT MANHATTAN TOM NGO

The Manhattan Airport Foundation is a company based in New York and aims to build an airport in Manhattan. This descongestionaría air traffic and reduce CO2 emissions by reducing the travel of passengers between the city and the airport. The site chosen
to move the airport is Central Park, assuming that the performance of the work on a larger scale than New York has experienced since the creation of the park in 1850. The company argues that public spaces are currently underutilized and should serve the interests of the community and redevelop areas where they are. They have a sophisticated
website where you can make a free member . From this call firms for the project is done and so far they have 72,926. They also solicit donations for the cause: for every $ 1000 of contribution can devote bank future airport. The foundation has called
a contest for the project and has invited internationally recognized architects. For now you can see 3D volume images .






Although the entire project is a joke (the company is registered anonymously and their offices are in a non-existent floor of the Woolworth Building), was convincing enough that the media already published, generating social debate.
If this be built, the largest green space in Manhattan would disappear between terminals and runways, and some of its most emblematic parts repositioned at some point inside the airport.
Despite the fear that people have about terrorist attacks by air from the 11s, nearly 73,000 people who have considered it a real project and have signed pro-airport.

site has gained considerable fame in recent days. The question that one can not help asking is what is the purpose of this entire campaign, or whether its creators intend to launch another business from here using the controversy as viral advertising.




Via Twitter Dwell


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Tom Ngo explores through his illustrations of architecture of the absurd. On his website says he started with it when he found a box of watercolors in a garbage can. It also explains that uses the absurd as a theoretical tool that allows you to challenge the architectural conventions, inevitably tied to rationality and common sense.
Ngo says that, using different frames of thought, the architects would be able to create new solutions, far from the usual design decisions. Enabling solutions that normally would be discarded by its irrationality, absurdity provides nonlinear alternatives that challenge the contemporary logic.
Here are some of his works and translations of the brief description he makes of them. 1. A Monument for People With Small Arms 8
Coloured Pencil and Ink on Trace. 12-in. x 8 ".

design trib ute to the people of 8 arms. Comes complete with undulating platform, wall and hallway of crazy hands.




2. No Other Way
Coloured Pencil and Graphite on Paper. 13 in. x 18-in.

House a collector's dream crusher meat. The building above is built using the same 4 walls, providing for a new home every time she comes in a balloon. The structure below is a mental picture of changing daily.


3. The Contortionist
Coloured Pencil and Graphite on Paper. 14.5 in. x 22.5 in.

This skyscraper curves and turns on itself as half of the section is a huge white terrace. The image is inspired by the old trick of the magic of a person cut in half.


4. There the Grass Grew Tall Mythically
Coloured Pencil and Graphite on Paper. 22 in. x 16.5 in.

Illustration propiedadades grass alters and explores architectural involvement. In spring the grass grows and the house rests on it. When the grass is removed in winter can be the bottom frame.



5. In Its Time it Was the Largest in the World Drafting Board.
Coloured Pencil and Ink on Trace. 10.5 in. x 22-in.

drawing board along with fixing a building in the clouds.


If you want to see more of his stuff this is your page. Via Dezeen




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SLAVE CITY

City map

Slave City can be described as a sinister dystopia is both rational, efficient and cost (7 million euro net profit a year). The concepts of values, ethics, aesthetics, morals, food, energy, economy, organization, management and market have been reversed, mixed and reformulated to design this city \u200b\u200bof 200,000 inhabitants. They work 7 hours a day at the office, another 7 in camps or workshops, then allow 3 hours of leisure and 7 to sleep. Slave City is an eco-city self-sufficient and produce their own energy and recycles everything. So
us Atelier Van Lieshout this concentration camp technologically advanced seems straight out of "1984" or "Brave New World" .

Welcome Center

Before entering Slave City and become a resident must pass through the Welcome Center. This building is where participants are selected for the convenience of their arrival and subsequent work. The elderly, sick and ugly are recycled into biogas. A healthy people and unwise it is processed in the meat factory. A very healthy young and allowed to participate in the organ transplant program. Healthy and intelligent people go to work in the city.

Brothels

A Slave City dwellers do not get paid for their work, but in return they are granted certain privileges such as attending brothels. Workers in the brothel for the upper class, of triangular plan, you can choose between different types of pleasures. In contrast, lower-class slaves have less choice in Bauhaus style modular brothels.

Universities

This is where you educate slaves in the kindness and efficiency. The model above represents the Female Slave University and the University down the male slaves. The scheme is similar to students of employees: 7 hours of study, 7 hours of work in the field, 3 hours of leisure and 7 hours of sleep. These buildings are the only teachers who receive remuneration for their work.

Tableware

Slave City Slave City
Tableware decorated with scenes of daily life and activities of city departments such as Human Resources, Energy Production, Motivation and Relaxation or organ transplants.


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Thank You Note For A Coach

JULIUS SHULMAN

Julius Shulman, photographer who documented the iconic images of American modernism died on July 16 .
Shulman's photos did not simply present the architecture, but also the lifestyle associated with it. Most of the houses that were portrayed in Hollywood movies icons. His images of Richard Neutra Kauffman House in Palm Springs and the Case Study No. 22 by Pierre Koenig in Los Angeles are part of the history of architectural photography.




1. Spencer Residence, 1950 Santa Monica, CA / Richard Spencer, architect © Julius Schulman
2. Case Study House # 21, 1958 Los Angeles, CA / Pierre Koenig, architect © Julius Schulman
3. Case Study House # 22 (Playboy), 1960 Los Angeles, CA / Pierre Koenig, architect © Julius Schulman
4. Case Study House # 22 (daytime pool), 1960 Los Angeles, CA / Pierre Koenig, architect © Julius Schulman
5. Kaufmann House, 1947 Palm Springs, CA / Richard Neutra, architect © Julius Schulman

Platform Architecture Photos via

Links:
Julius Shulman (1910-2009) Architecture Platform Julius Shulman
Died at 98 Taschen in (thanks Edgar )
Modern architecture, the bad guy Platform Architecture
Julius Shulman, Modernity and the Metropolis (Getty Exhibitions)
Julius Shulman in Wikipedia


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