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EARTHQUAKE IN MURCIA

Ines Rios de 2 º de Bachillerato send us information about earthquakes in Murcia.

"Eight people have died this afternoon in Lorca (Murcia) and dozens injured as a result of an earthquake of magnitude 5.1, which was preceded by an earthquake of 4.5, as confirmed by the Delegation of government. One of the deceased is a minor. The Government delegate, Rafael González Tovar, has rectified the night the figure of 10 dead that were given during the afternoon and confirmed that eight died and two others are very severe. "
Source: EL PAIS

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Interview with Ricardo Celma

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"Spreading I feel the more people possible "

" I would like to move, move, I like my work function at the intellectual and theoretical development, but much more interested in me at work sensitive, to enter by the eyes and also intravenously.

"I come from a great year, Tokyo, New York, Monaco, Netherlands were my last international exhibitions nationally, Anteclásica, and my individual Expotrastienda Zurbarán capped the year, now explain in Lima and probably repeat some of the sites you name, perhaps including some destination in Southeast Asia where I have beautiful proposals. "

"Painting is my most lucid state, pure, is what balances me, is one of my natural functions, such as eating or sleeping, without paint my body and my mind is uncomfortable. "

"Practically I do not remember a moment of choice was a natural way, of course there were doubts or fears, but the paint was the way my life and I could not even imagine living away from art. I like to think that the painting he chose me. I could tell by way of anecdote I grew up in the house next door to the workshop of Berni, whom I remember from my distant childhood, my parents say that with only 3 years and said he was going to be like him, and I would dedicated to be a painter. "

"In painting I took the long road, I took classes from 5 years old with a lot of people, with some teachers for years, with other months, with some for days, I took seminars a few hours, I studied all the materials from the National School of Fine Arts Prilidiano Pueyrredón , with different teachers and artists to greet National Professor and courses with more teachers and artists all the materials of IUNA for be Bachelor of Visual Arts. There are very many that shaped me and all I am grateful "

"Now I paint all the hours I let my obligations as a parent, I make samples for many parts of the world, I teach and soul I try to honor my teachers. "

" I like to compose scenes baroque, preferably female human figures, a mix of classic and contemporary .
The place of creation, the starting point remains a mystery even to me, I think it is never quite methodical, when I have a lot of luck comes like a dream, I dream of waking or sleeping, is a developed image, to be born, I see clearly, I sketch and start simple to compose and rationally, and then while drawing beginning to think about why that picture came up, like a dream, I discover that enhances my deepest instincts, my fears and visions of life but with a sieve of poetry. "

"When the picture comes clear are moments of euphoria and excitement, I see it already materialized, when I'm searching is in most cases invariably the creative process is linked to distress for many reasons. "

"In my paintings I discovered what a faithful reflection of what I am, everything I painted in my life, is a still life, a complex scene or baroque, ultimately ends up being a great portrait. "

"I personally gave me a way of life, not only for sustenance, I mean a way of living, thinking, feeling, I'm through art, as to what I value most in general is authenticity, that mixture of knowledge and skill deeply linked with the delivery and exposure of your own essence. "

For more works by the artist: http://ricardocelma.blogspot.com y http://www.celma.com.ar

By Romi Amodeo

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Interview with Fernando Alonso del Molino

"Art is a great mirror for anyone who permits"

"Beyond any results, you can not do without risk. The only issue that I have no doubt is that there is no art without risk, because otherwise, would be meaningless. "

"Once Guillermo Roux said that painting is a way to meet and I share. Sometimes when I see what flows from me, I am filled with satisfaction, others hate it and others scared me, haha. However, what I always get is a space of freedom that I reserve for the unexpected, the vital, the contradictory, the spontaneous, are present. I like to lose control at some point in the process, and then rearranged in a way that imprint chaotic. In the background I think that tension is flowing between the inner and outer, between chaotic and ordered, among the conventional and what is not. "

" I love to improvise, especially in painting, because I have no life so free as I allow myself there. Sometimes I think it would be good for me to have the same freedom that life in the painting, I feel that every time I care less if what I do when I paint like it or not, as I do not care too much if an impact or is intended to transcend . I think they are all consequences of a work conscientiously, authentic and genuine. "

"I've always been interested in the" climate "of a work, mood, and from there, is open ended, which suggests, to mobilize, which surprised but in the sense it is something unexpected, not something virtuous. That the work is a space for the public to participate in some way. "

"compose by approximation. Sometimes delivery of sketches but then end up being something quite different, because when handling the material without much control, then I have to contend against my own impulses until they regain some balance work. Sometimes delivery dropping blobs of paint and move the fabric to form a 'picture' or pattern, other splattered, other blasting, other spots with a watery background color and then let me go. It's a fairly intuitive process. "

"I have a training" academic "because I studied a teacher, a teacher and a senior lecturer in visual arts. But I put it in quotes because the idea of \u200b\u200b"academic" art, often linked to the classical tradition and its forms, and in that sense I never felt very attracted. While I had a pretty long figurative period, was eclectic, multi-search product and materials research.

Since two years ago this part, I'm doing a less figurative painting, from the fluidity and density of the material, of wear, in different layers, trying to generate images that are the remnants of themselves, allowing them to see "the bottom" as if "this, what happened." No abstract painting say it is because the abstraction is a mental process that is present in one way or another in almost every known painting. It's more action and reaction in successive elaborations. "

"What I most value of art is its ability to synthesize through its many forms and stages, the variety of ideas, feelings, desires, needs, constraints and possibilities of the human condition. It is a great mirror for anyone who is allowed to approach them without prejudice to an art form. "

"The only desire as an artist I really held in the activity is that I like do so. It is my greatest satisfaction if you see that magic moment when I'm doing, because that is when I get very excited when I think when I look and when I do I feel happy. That the work
move something internally in the beholder, that emotions, like, inviting reflection or contemplation is the result of that action at the workshop staff. Also appear clear that if buyers and painting became a way of life is better, but not my biggest wish. "

"I come by since I received samples, although not very frequent. In November 2009 I set up one in the Biblioteca Popular Bernardino Rivadavia, a sort of liaison between the figurative and the current stage with 18 works. A year later I did an exhibition at the Cultural Center Plaza in San Martin, where it showed only the last stage. It was very rewarding because although many people did not attend, refunds of the public were very good and that's very exciting. My goal for 2011 is to show again in the City of Buenos Aires in a circuit larger and more widespread. "

By Romi Amodei

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